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- <text id=94TT0499>
- <title>
- Mar. 07, 1994: The Arts & Media:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Mar. 07, 1994 The Spy
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 75
- Cinema
- Half-Baked Alaska
- </hdr>
- <body>
- <p>Steven Seagal heads north for his most inane epic yet
- </p>
- <p> Steven Seagal comes to save Alaska but nearly destroys it.
- In On Deadly Ground, the art of moviemaking gets totaled too.
- </p>
- <p> In his directorial debut, this ponytailed stud--the most consistently
- successful action star worldwide--kicks butt in the name of
- political correctness. He plays Forrest Taft, the usual genius
- renegade from the CIA who bonds with sacred Inuit spirits and
- works every woodland trick in the boy scout manual. He also
- thwarts an oil company run by evil Michael Caine. But first
- a few good guys must be beaten, kicked and de-fingered, all
- to give Forrest an excuse to cripple his enemies and blow up
- most of Alaska.
- </p>
- <p> This is sadism with scruples. But in all his movies Seagal snacks
- on villains as if they were sunflower seeds. In Marked for Death
- he broke the lead villain's body--snap!--over his knee.
- In Under Siege, by far the snazziest of Seagal's films, he got
- to smash Tommy Lee Jones' head through a computer screen. Faced
- with a bunch of thugs in Hard to Kill, he used his fatal grace
- to dispatch all but the gang leader, then tossed his weapon
- aside to give the gun-toting goon a sporting chance. Talk about
- your Zen machismo; he lets the bad guys shoot first because
- he knows they can't shoot straight.
- </p>
- <p> Director Seagal can't shoot straight either. The choppy pace
- and inane plot exertions make On Deadly Ground a $40 million
- vanity epic. At least Warner Bros., Seagal's sponsor, cut the
- star's climactic lecture on the environment--antibusiness
- and boldly pro-plankton--from a reported 10 minutes to just
- over three. It's fine to think an audience is stupid but not
- to leave it in a stupor. R.C.
- </p>
- <p> RICHARD CORLISS
- </p>
- </body>
- </article>
- </text>
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